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    • Il Teorema di Pasolini
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    • The Silence
    • Bählamms Fest
    • Alles, was der Fall ist
    • Die Maschine in Mir (Version 1.0)
    • To Be a Machine (Version 1.0)
    • The Interpretation of Dreams
    • Beckett's Room
    • Shakespeare's Last Play
    • Hamnet
    • Chekhov's First Play
    • LIPPY
    • Souvenir
    • (S)quark!
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  • Home
  • ABOUT
    • Who We are
    • Associate Artist Call Out
    • How we can help
  • PROJECTS
    • Illness as Metaphor
    • To Be a Machine (Version 2.0)
    • Il Teorema di Pasolini
    • Katharsis
    • Good Sex
    • The Silence
    • Bählamms Fest
    • Alles, was der Fall ist
    • Die Maschine in Mir (Version 1.0)
    • To Be a Machine (Version 1.0)
    • The Interpretation of Dreams
    • Beckett's Room
    • Shakespeare's Last Play
    • Hamnet
    • Chekhov's First Play
    • LIPPY
    • Souvenir
    • (S)quark!
  • Upcoming work
  • Support
ILLNESS AS METAPHOR
ILLNESS AS METAPHOR
TO BE A MACHINE (VERSION 2.0)
TO BE A MACHINE (VERSION 2.0)
IL TEOREMA DI PASOLINI
IL TEOREMA DI PASOLINI
KATHARSIS
KATHARSIS
GOOD SEX
GOOD SEX
THE SILENCE
THE SILENCE
BÄHLAMMS FEST
BÄHLAMMS FEST
ALLES, WAS DER FALL IST
ALLES, WAS DER FALL IST
DIE MASCHINE IN MIR (VERSION 1.0)
DIE MASCHINE IN MIR (VERSION 1.0)
TO BE A MACHINE (VERSION 1.0)
TO BE A MACHINE (VERSION 1.0)
THE INTERPRETATION OF DREAMS
THE INTERPRETATION OF DREAMS
BECKETT'S ROOM
BECKETT'S ROOM
SHAKESPEARE'S LAST PLAY
SHAKESPEARE'S LAST PLAY
HAMNET
HAMNET
CHEKHOV'S FIRST PLAY
CHEKHOV'S FIRST PLAY
LIPPY
LIPPY
(S)QUARK!
(S)QUARK!
SOUVENIR
SOUVENIR

 

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